Both Captain Marvel (Marvel Studios) and Umbrella Academy (Netflix) offer keen critiques of the borderline-fascist notions of superhero might and specialness, and we would be remiss to ignore them.
Contrary to what many want to make us believe, this republic is far from immaculate. Acknowledging this might help us resist the dirtier among us.
Distinguishing between satire and dead serious news has become a challenge, hasn’t it? But there is a silver lining, too: satirical news portal Bis-Serjetà is the ‘jester that speaks truth to the king’.
With a precision of scientific inquiry, the exhibition To Be [Defined] examines what it means—and feels like—to live as an antagonist in a story narrated by others.
“There are artists who are more into playing with the rules of art and artists who would rather play with the rules of society and the legal regulations. To me, the real art is the latter—the art that exists between creativity and criminality (not because it’s ‘criminal’, but because it challenges unjust legal practices).”
‘Landings’ is an artistic response to the outpouring number of petrol station applications, other deals with property, shoddy business and the issues of land use.
We’re losing spaces where we can be social human beings. And this is where literature has a space. Authors can identify such cracks and vocalise them.