Staged at the Valletta Campus Theatre, at a time when so much social and political turmoil was happening in Malta’s capital city, Larinġa Mekkanika found its hyperbolic tone caught up in an unholy juxtaposition of sorts, a feverish dream, something banal that felt deeply wrong.
To steer clear from empowering xenophobic arguments, green campaigners should not limit their criticism to developers’ faulty morals and lack of enforcement in the industry, since the perpetrators are prepared to shift the blame elsewhere. We must attack the source of their power: profits.
Trid issir ġustizzja anki meta l-ħuta tkun kbira. Anzi, iktar ma tkun kbira l-ħuta iktar irridu nippretendu mingħandha livell għoli ta’ trasparenza, ta’ dover, ta’ responsabbiltà. Nemmen li kulħadd irid jerfa’ r-responsabbiltà kbira u żgħira tiegħu.
To grasp the reasons for the immense disparity between Daphne Caruana Galizia’s international fame and her formally ostracized status in Malta, we should begin by understanding how her legacy is perceived outside of Malta and nationally.
There is a paradoxical nature to Maltese acceptance of others, that underlies discrimination based on political identity. The outcast is the one who questions the economic homogeneity of Maltese society. The ultimate other is a person who criticises the neoliberal system adopted by consecutive Maltese administrations.
Let us no longer focus on health, but rather on three other facets of 5G: who stands to profit from it, how is it going to affect our society and whether a country as small as Malta needs a 5G infrastructure at all.
The ‘love of my country’ is often based on the belief that if ‘my country’ does well, I will do well, too. However, this love is not mutual. ‘My country’ doesn’t love me back—unless I belong to its privileged class.